“I don't need to describe to you how we are in light of all that is ahead of us—dissolving everything that is there-the family-the apartment—transplantation into foreign, unknown circumstances—dependent on the kindness of others everywhere—parents and children torn apart, without knowing whether there will be a reunion—one barely has the strength to imagine it in advance.”

Berlin/Buenos Aires

As the wife of a successful architect, Anna Nachtlicht had enjoyed social prestige and experienced years of material comfort. However, in 1932, the Great Depression forced the couple to auction off their art collection, and in 1933, Leo Nachtlicht lost his occupation. Eventually, the couple was left with no other choice but to rent out rooms. The couple’s two adult daughters, Ursula (b. 1909) and Ilse (b. 1912) contributed to the household. But the situation became untenable. As Anna Nachtlicht writes to her brother Max in Argentina on December 17th, the family had “every reason” to fear that they were about to lose their apartment in Berlin-Wilmersdorf, on top of everything else. While there was realistic hope that their daughters would soon find employment in England, Anna and Leo’s efforts to find refuge abroad had remained largely unsuccessful. Relatives on Leo’s side in France had agreed to house the couple temporarily, until a third country would offer them a permanent home. Anna Nachtlicht clearly resented having to ask for help and deplored the dependence on others, but the constant decline of the situation and dark forebodings left her no choice. She had heard that Argentina was about to change its immigration policy and make it possible to request permits for siblings. With undisguised despair, she asks her brother in Buenos Aires to immediately request a reunification with her and facilitate their emigration.

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