Victory of the underdog
The theater of the Berliner Kulturbund features a powerless hero who wins over his antagonist.
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Berlin
With Adolphe Adam’s comic opera “If I were King” and Ladislaus Bus-Fekete’s “Cape of Good Hope,” the Berlin Kulturbund offered its guests lighthearted distractions. The Jewish audience in Berlin in 1938 must have been receptive to an opera in which the powerless but honest hero wins and the bad guy gets his well-deserved punishment.
SOURCE
Institution:
Leo Baeck Institute – New York | Berlin
Collection:
Kulturbundbühne (Berlin): Kulturbund deutscher Juden, MF B1080
Original:
Vol. 6, no. 1: 11