No hope in the East | JANUARY 27
As the situation of Jews in Nazi Germany deteriorated from day to day, the anti-Semitic atmosphere in other countries became increasingly tense. In neighboring Poland, anti-Semitic voices became louder and louder. As the C.V.-Zeitung, the organ of the Central Association of German Citizens of Jewish Faith, reported, the Lower House of the Polish Parliament expressed its anti-Jewish sentiments in the form of a plan to remove Jews from the country: it called for the emigration of at least 100,000 Jews annually. Besides Palestine, Madagascar was discussed as a possible destination. The case of Polish Prime Minister Sławoj Składkowski shows how widely antisemitism was accepted: commenting on the “unpleasant events” (presumably, the numerous cases of physical violence against Jews), he claimed that Jews themselves were to blame, due to their lack of understanding of Polish peasantry, which, just as the Jews themselves, was striving for a higher standard of living.
Mixed marriage by special permit | JANUARY 17
An unidentified author congratulates the German mountain climber and physicist Hermann Hoerlin, based in Stuttgart, on his upcoming wedding with Käthe Schmid, who was considered a “Half-Jew” in Nazi parlance. The “Law for the Protection of German Blood and German Honor,” adopted in 1935, forbade marriages between Jews and non-Jews. Despite the law, the couple Hoerlin-Schmid obtained a special permit and the wedding could go ahead.
Improvisation impinged | JANUARY 7
Werner Wilhelm Dambitsch was born on June 23, 1913 in Breslau (today Wroclaw, Poland). Werner was interested in music from an early age, but he had to purchase his first instrument, a saxophone, with money he had earned himself. He did this in 1932 at the age of 19 and founded with four friends the ‘Excentric [sic] Jazz Orchester’. In order to perform, the combo had to join the “Reichsverband der jüdischen Kulturbünde in Deutschland” (Reich Association of Jewish Cultural Federations) and was forced to change the name to “Erstes Jüdisches Jazz-Orchester” (First Jewish Jazz Orchestra). While the association did not guarantee steady income or employment, at least it allowed the artists to perform at events attended by Jewish audiences. This image shows Werner Dambitsch’s Kulturbund membership card.