Antisemitism in Austria | MARCH 6
In 1933, the “Fatherland Front” had been established as the sole representative body of Austrian citizenry and as a replacement for parliamentary democracy. It had strong ties to the Catholic Church and was deeply antisemitic. Nevertheless, there were Jews among its ranks, and it saw itself as opposed to the (Protestant-dominated) Nazis. When Nazi groups, clearly emboldened by their recently improved status, took to the streets, proudly parading with swastikas, the Jewish Telegraphic Agency reported on an antisemitic demonstration at the University of Vienna, an institution where anti-Jewish sentiment had been rampant for centuries. On the same day, the news agency informed its readership about counter demonstrations organized by the Vaterländische Front.
Homosexual Relations with a Jew | MARCH 5
The handsome, blond, and athletic scion of a noble family in Lower Saxony, Gottfried von Cramm had all the features sought by the Nazis for propaganda purposes. Nevertheless, the two-time winner of the French Open tennis tournament (1934 and 1936) explicitly refused to be used as a poster boy for Nazi ideology and never joined the NSDAP. After repeatedly spurning opportunities to ingratiate himself with the regime, it was another issue that got him into trouble. On March 5, 1938, von Cramm was arrested under Paragraph 175 of the German penal code, which prohibited homosexual conduct. He was alleged to have had a relationship with a Galician Jew, the actor Manasse Herbst. Reformers had nearly succeeded in overturning the statute during the Weimar republic, but the Nazis tightened it after their ascent to power.
Parochet, dark-blue | MARCH 4
This dark blue parochet (curtain for covering the Torah Ark in a synagogue) is part of the collection of the Israelitisches Blindeninstitut (Jewish Institute for the Blind) in Vienna. The institution was established in 1871 with the purpose of educating blind Jewish students. Professions taught ranged from manual occupations to translating and interpreting. Due to its excellent reputation, the school attracted students not only from Austria, but also from most other European countries. March 4 was one of its last days of undisturbed activity.
Harold MacMichael | MARCH 3
This etching by the German-Jewish artist Hermann Struck depicts the fifth British High Commissioner for Palestine, Harold MacMichael, who took office on March 3, 1938. MacMichael had previously held various positions in Africa. The High Commissioner was the highest-ranking representative of the Empire in Mandatory Palestine. The creator of the portrait, Hermann Struck, an Orthodox Jew and an early proponent of Zionism, had emigrated to Palestine in 1923 and settled in Haifa. He was renowned in particular for his masterful etchings, a technique he had taught to artists such as Chagall, Liebermann, and Ury.
End of “The Eternal Road” | MARCH 2
Unwelcome in Nazi Germany as a Jew, a socialist, and a composer of music considered “degenerate” by the regime, Kurt Weill was able to celebrate his 38th birthday on March 2 in safety. After attacks in the Nazi press and targeted protests, Weill had already emigrated to France in 1933. Rehearsals for the premiere of his opera “The Eternal Road” (libretto: Franz Werfel) provided him with an opportunity to travel to the United States in 1935. Due to numerous technical difficulties, the premiere was postponed until 1937. Weill seized the opportunity and remained in America.
Destination Uruguay | MARCH 1
In the spring of 1938, the Berlin electrician Moses Wainstein was making arrangements to join the steady stream of Jewish emigrants. His destination was faraway Montevideo. He was planning to travel from Berlin to Marseille, where he intended to board a ship for South America. On March 1, he received the requisite French transit visa. Uruguay was regarded as a country with strong democratic traditions, little pressure on newcomers to adapt, and good job prospects for tradesmen. Jewish relief organizations and travel agencies advised prospective emigrants on choosing their new home, finding the best route possible, and procuring the required papers.
Vacation from the threat | JANUARY 31
Although one could imagine 1938 as a very gloomy and tense year for German Jews, some events, such as vacations, bore a semblance of normalcy. In this postcard from a trip to the “sunny South,” no political thunderclouds appear on the horizon. The writer tells the recipient in Frankfurt, Rosel Lehrberger, about an afternoon dance at the Palais de la Jetée in Nice, an elegant Moorish Revival casino from the Belle Epoque, which for decades was a tourist magnet.