Pitiless | MAY 20
In today’s release, the Jewish Telegraphic Agency reports that the Deutsches Volksblatt in Vienna urges a “pitiless anti-Jewish boycott.” This, the paper argues, is the line demanded by Hermann Göring in his last speech in Vienna. Highly decorated in WWI as a fighter pilot, Göring had become a member of the NSDAP early on and was a member of its inner circle. He had established the Gestapo in 1933, was commander-in-chief of the German airforce (Luftwaffe) and as Plenipotentiary of the Four-Year Plan, he also wielded power over the German economy. Other than that, he is known for his pivotal role in bringing about the Anschluss and his passion for collecting art, which he often acquired in dubious ways.
Despite everything, music | MAY 18
After stints with various orchestras in Germany and Austria, in 1930, the conductor Erich Erck returned to Munich, where he had studied music. The Nazis forced him to relinquish his stage name and return to his family name, Eisner. His application for membership in the Reichsmusikkammer was rejected, since his Jewishness was seen as more damning than his combat service for Germany in WWI was redeeming. After he was banned from employment in 1935, he initiated the establishment of the Munich branch of the Jüdischer Kulturbund and became the executive director of its Bavarian State Association. He also took over the Orchestra of the Kulturbund (founded in 1926 as the “Jewish Chamber Orchestra”), in which capacity he appears on this photograph from the ensemble’s May 18, 1938 performance at Munich’s monumental Main Synagogue on Herzog-Max-Straße.
The first woman rabbi | MAY 17
A few inconspicuous lines in today’s issue of the Jüdische Rundschau advertise a lecture in Berlin’s “Ohel Jizchak” Synagogue by “Miss Regina Jonas” on the topic “Religious problems of the Jewish Community today.” Regina Jonas had studied with much dedication at the Hochschule für die Wissenschaft des Judentums in Berlin and fought hard to reach her goal of becoming a rabbi. Not wishing to rock the boat in these troubled times, even liberal rabbis who might have been positively inclined toward the ordination of women, such as Leo Baeck, were not willing to ordain her. Her final thesis was a halakhic treatise on the topic “May a Woman Hold Rabbinic Office?” It was Rabbi Max Dienemann who in 1935 made her the first female rabbi in history. Interestingly, in spite of the passionate opposition in some quarters and doubts regarding the validity of Regina Jonas’s ordination, she enjoyed the respect even of some orthodox rabbis, who henceforth addressed her as Fräulein Rabbiner or “colleague.” The Jüdische Rundschau apparently preferred to play it safe.
Our name should perish with us | APRIL 24
The diary of Dr. Hertha Nathorff (née Einstein) paints a vivid and at times nightmarish picture of the Jewish physician’s experiences in Nazi Germany. On April 24, she describes a visit with her parents in her native Laupheim in Swabia. Many Jewish shops had been sold, and their owners had emigrated. The Nazis’ efforts to malign and isolate the Jews had been so successful that passers-by were afraid to greet her. Her father had informed her that he was not going to sell the company which had been in the family’s possession for four generations and that he would prefer that it perish along with their name. The degree of isolation experienced by German Jews at the time is also evident in another episode mentioned in the diary: Dr. Nathorff is amazed at the fact that her former professor had the courage to send her regards through a patient.
The Prater amusement park | APRIL 23
This advertising brochure shows the Prater, a large public garden and popular amusement park in Vienna’s central 2nd district, in the 1930s. Here, on Saturday, April 23, hundreds of Viennese Jews were rounded up and subjected to beatings and maltreatment in front of jeering onlookers. Some were forced to eat grass. Jews of both sexes, regardless of age and health, were made to run in circles until they collapsed. Many of those thus humiliated suffered heart attacks, some died.
Repression, resilience and relief | APRIL 2
By 1938, the ability of Jews to make a living had been seriously curtailed by a series of laws aimed at humiliating, isolating, and impoverishing them. While not all Jews were affected equally by these changes, the number of Jews dependent on the services of welfare organizations, such as the Jewish Winter Relief, was constantly on the rise. The level of solidarity and the support for the Winter Relief were remarkable. Much of the money came from small donations, and the Kulturbund held cultural events in support of the organization. Volunteers from women’s and youth groups assisted in the fundraising efforts.
No coming back | MARCH 30
In the wake of Austria’s annexation by Nazi Germany, the Polish parliament (“Sejm”), fearing the return of up to 20,000 Polish citizens from Austria, passed a bill according to which Poles who had lived abroad for more than five years were to lose their citizenship. The situation of the Jews had improved somewhat under the Piłsudski government (1926–1935), but after the marshal’s death, especially in the atmosphere created by the “Camp of National Unity” (from 1937 onward), antisemitism was resurgent. Universities applied quotas to Jewish students and introduced “ghetto benches” for them, Jews were held responsible for the Great Depression, Jewish business were boycotted and looted, and hundreds of Jews were physically harmed, some killed.
Branded | MARCH 20
This stereoscopic image from March 1938 shows a lingerie store in Vienna with a sticker that says “Jewish business” attached to its window. Immediately after the German Army’s entry into Austria, celebrated in many places, on March 12, 1938, the local Jewish population began to suffer from the same kind of defamation as German Jews had since 1933. The picture is part of the Sammlung Schönstein (Schönstein Collection) at the German Historical Museum. At the beginning of the 1930s, Otto Schönstein (1891–1958) of Nuremberg established his Raumbild Verlag, which published albums of stereoscopic photographs. In 1937, Heinrich Hoffmann, Hitler’s “personal photographer,” became involved in the publishing house, which was showing signs of economic difficulties, and used it for the dissemination of NS propaganda.
Hitler’s Homecoming | MARCH 15
From March 12 to 14, Hitler visited Linz, which he had considered his home town since his adolescence there. In his address to the local populace he stylized himself as the enforcer of the people’s will and invoked the German soldiers’ “willingness to sacrifice” and the “greatness and glory” of the German people. While many reacted with enthusiasm, others were seized by fear. In his diary, Adolph Markus captures the anxious atmosphere at his workplace in Linz days after the “Anschluss.”
Homosexual Relations with a Jew | MARCH 5
The handsome, blond, and athletic scion of a noble family in Lower Saxony, Gottfried von Cramm had all the features sought by the Nazis for propaganda purposes. Nevertheless, the two-time winner of the French Open tennis tournament (1934 and 1936) explicitly refused to be used as a poster boy for Nazi ideology and never joined the NSDAP. After repeatedly spurning opportunities to ingratiate himself with the regime, it was another issue that got him into trouble. On March 5, 1938, von Cramm was arrested under Paragraph 175 of the German penal code, which prohibited homosexual conduct. He was alleged to have had a relationship with a Galician Jew, the actor Manasse Herbst. Reformers had nearly succeeded in overturning the statute during the Weimar republic, but the Nazis tightened it after their ascent to power.
“Degenerate” | FEBRUARY 24
In the traveling exhibition “Degenerate Art,” initiated in Munich in 1937, the Nazis used 650 works of art confiscated from 32 museums in order to force their idea of art upon the populace: newer trends like expressionism, surrealism, or fauvism, to name just a few, were regarded as “Jewish-Bolshevist” and roundly disparaged. The front page of the exhibition catalog shows a piece titled “Large Head” from the workshop of the German-Jewish artist Otto Freundlich, one of the first exponents of abstract art. It was created in 1912 to symbolize hope for a new beginning. Even apart from Freundlich’s Jewish background and his artistic leanings, being a communist made him politically unacceptable in the eyes of the regime.
Tel Aviv, Bauhaus, and “Grand Illusion” | FEBRUARY 23
This view of Ben Yehuda Street in Tel Aviv shows some of the typical buildings in the background to which it owes its unofficial name, “The White City.” Since 1933 and especially after the “Reichsbürgergesetz” came into effect in 1935, Bauhaus-trained architects had left Germany and were now putting their mark on Tel Aviv, either through their own creations or through their influence on others. The photo is dominated by the Migdalor building, which was built in 1935 and housed the city’s first air-conditioned movie theater. On the external wall there is a huge advertisement for Jean Renoir’s 1937 movie “Grand Illusion,” which due to its pacifist message was banned in Nazi Germany.
Coffee and cake in “Frankfurt on Hudson” | FEBRUARY 22
Between the Nazis’ rise to power in 1933 and the year 1938, about 16.000 Jews had immigrated to the United States. Many German Jews had made their home in New York, especially in the neighborhood of Washington Heights in northern Manhattan, gaining it the nickname “Frankfurt on the Hudson.” The event schedule of the German-Jewish Club lists a “Family evening with Kaffee-Klatsch” which offers “artistic and musical interludes.” The event is geared towards the needs of the older members of the community, as “a substitute for lodge, singing club, social club and other associations,” promising participants an opportunity to discuss what they had on their minds. In addition to cultural activities in German, the massive influx of German-speaking Jews to Washington Heights led to the establishment of numerous new synagogues, beginning with “Tikvoh Chadoshoh”—“New Hope.”
Imminent danger | FEBRUARY 20
The Austrian Adolph Markus had started a diary on January 12, the day Hitler forced the “Berchtesgaden Treaty” on the Austrian chancellor, Schuschnigg. The treaty stipulated the release of National-Socialist prisoners, gave free rein to Nazi political organizing, and granted a greater measure of participation in government activities to their political representatives. Markus personally witnessed the thuggish behaviour of the released prisoners and their reception by sympathizers in the streets of Linz. In his diary entry on February 20, he records the events of the preceding day and reveals his worries for his country.
Religion, culture and the struggle for human dignity | JANUARY 29
This drawing shows the interior of the Prinzregentenstraße Synagogue in Berlin (Wilmersdorf). Built in 1930, the building was designed to fulfill the needs of a liberal congregation. As shown in the picture, the synagogue boasted a magnificent organ. Rabbi Leo Baeck gave the sermon at the opening ceremony. From 1933, when Jews began to be pushed out of Germany’s cultural life, the synagogue also became a Jewish cultural center.
Victory of the underdog | JANUARY 22
With Adolphe Adam’s comic opera “If I were King” and Ladislaus Bus-Fekete’s “Cape of Good Hope,” the Berlin Kulturbund offered its guests lighthearted distractions. The Jewish audience in Berlin in 1938 must have been receptive to an opera in which the powerless but honest hero wins and the bad guy gets his well-deserved punishment.
Staged normalcy | JANUARY 14
The January issue of the Berlin Kulturbund magazine conveys a sense of normalcy—local businesses advertise merchandise and services like cosmetics, women’s apparel and car repairs, while the Kulturbund schedule offers Eugene Scribe’s “The Ladies’ Battle.” The comedy must have provided a welcome respite from the worrisome situation.
“Who won’t betray us in the end?” | JANUARY 11
As German Jews were getting arrested or being forced to leave the country, the performances put on by the local branches of the Jewish Kulturbund (Culture Association) were among the few places of refuge where Jews could enjoy culture as in earlier days. Among other things, in the winter season of 1937/1938 the Jüdischer Kulturbund Berlin performed Tchaikovsky’s Eugene Onegin (Director: Dr. Kurt Singer) and Scribe’s The Ladies’ Battle (Director: Fritz Wisten). Since 1935, the Kulturbund’s venue had been the theater at 57 Kommandantenstrasse, the former Herrnfeld Theater, where popular Jewish plays had once been staged.
Where strength and joy flow | JANUARY 9
In his opening speech at the inauguration ceremony for the new Jewish community center in Hamburg, Max M. Warburg, scion of a renowned family of bankers, describes the challenges the community is facing at the present moment and states the mission of the building and its leadership in troubled times. Describing theater as a source not only of “uplift and joy” but also of “moral fortitude,” Warburg declares the community center to be intended first and foremost as a home for the performances of actors and musicians of the Jewish Kulturbund.
Improvisation impinged | JANUARY 7
Werner Wilhelm Dambitsch was born on June 23, 1913 in Breslau (today Wroclaw, Poland). Werner was interested in music from an early age, but he had to purchase his first instrument, a saxophone, with money he had earned himself. He did this in 1932 at the age of 19 and founded with four friends the ‘Excentric [sic] Jazz Orchester’. In order to perform, the combo had to join the “Reichsverband der jüdischen Kulturbünde in Deutschland” (Reich Association of Jewish Cultural Federations) and was forced to change the name to “Erstes Jüdisches Jazz-Orchester” (First Jewish Jazz Orchestra). While the association did not guarantee steady income or employment, at least it allowed the artists to perform at events attended by Jewish audiences. This image shows Werner Dambitsch’s Kulturbund membership card.